exhibition

Nana Erifudzhi. Rebirth

8 July 2011 — 15 August 2011
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Nana Erifudzhi refers in her works to current world problems using the techniques of traditional Japanese art

— Live grass and flowers, sun glare on the surface of the sea are favorite topics filled with the breath of life in Nana Erifudzhi paintings. Ripples on the sea surface is transferred by the artist in the form of numerous lines, at that a geometric pattern retains the ease of free breathing. Nana Erifudzhi creativity is imbued with the sea, with its infinite brilliance, depth and nuance of change, which concluded chthonic forces of life.

Kazuo Nakabayasi
 
Chief art critic of the State Gallery
of Modern Art, Tokyo
 

Nana Erifudzhi refers in her works to current world problems using the techniques of traditional Japanese art. Special artistic expression of Erifudzhi pictures silver background gives, which borrowed from the tradition of the16th century: gold or silver foil with the rice glue is applied to the surface of the canvas, forming a surface divided into squares, on which the figures are. Using this technique today is extremely rare because of the complexity and cost of execution and only practiced by masters of arts.

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